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What's the Buzz — August 7, 2008

By Vera H-C Chan
Thu, August 07, 2008, 12:24 pm PDT

Turmoil in Africa... your turn. A military coup up-ended the first elected president of Mauritania, and led to an online scramble for rebellion details, the country's location, and a timeline of the nation's growth. The junta marched with supporters and promised free elections, while the the daughter of ousted leader Sidi Cheikh Ould Abdallahi called for U.N. intervention.

.... Meanwhile, a blood trail leads to Laurence Fishburne as a possible new "CSI" boss. The tough guy catapulted into the top 50 terms, shooting past "paris hilton for president" queries. Methinks there's a veep candidate here.

...No relation to Han, but the force and Buzz beats strong for soccer goalkeeper Hope Solo (+270%), comeback kid for the USA women's Olympic team.

...And now, let's end with a Buzz Log eye-candy moment with Boris Kodjoe (+62%), soon to be in a romantic comedy near you.

Filed under: TV, Actors, Politics, Soccer, Military, Africa, Olympics

Emmy Driving "Mad Men" Wild

By Vera H-C Chan
Wed, July 30, 2008, 11:44 am PDT

Note to television schedulers: Always program a premiere soon after the Emmy nominations.

Emmy showed she could provide the energy boost of a Red Bull enema with the recent season premiere of "Mad Men." The AMC original show, heaving under the weight of 16 nominations including one for best drama, doubled its searches on Sunday. Additionally, the show pulled ahead of all other drama and comedic nominees over the past 30 days. (Search chart follows below.)

The adoring masses—or in this case, enthusiastic crowds—shouldn't get too giddy. "Army Wives" (Lifetime) and "In Plain Sight" (USA), which both share the time slot, far outstripped the 2 million-plus who tuned in for "Mad Men." Still, as Media Life Magazine points out, AMC is no longer just the classics station, but the new retro classics station ("Mad Men" is set in the early 1960s).

For those stuck in the present, Entertainment Weekly not only recaps the premiere, but also offers a "crash course" for those late to the ad game. As for the rest of the nominees, the Sept. 22 Emmy Awards should give each show a boost in Search.

Fastest Moving Emmy Show Nominees, Past 30 Days

1. "Mad Men" (AMC, premiered July 2008) +505%
2. "Damages" (FX, January 2009) +66%
3. "30 Rock" (NBC, premieres Oct. 30)
4. "Curb Your Enthusiasm" (HBO, 2009) +8%
5. "Entourage" (HBO, tentative Sept. 25) -1%
6. "The Office" (NBC, Sept. 25) -3%
7. "Two and a Half Men" (CBS, Sept. 22) -12%
8. "House" (FOX) -12%
9. "Dexter" (Showtime, Sept. 22) -14%
10. "Boston Legal" (ABC, Sept 22) -23%
11. "Lost" (ABC, January 2009) -56%

Filed under: TV, Award Shows, Emmy Awards, Emmy Awards 2008

Paging Mrs. Peel

By Vera H-C Chan
Mon, July 21, 2008, 5:13 pm PDT

Mrs. Peel, you're still needed... and wanted.

Diana Rigg, who played the coolly delicious, leather-clad Emma Peel in the playful '60s British spy series "The Avengers," turned 70 on Sunday. A birthday Search salute exploded: Lookups for the septugenarian surged a staggering 90,086%, landing her leather boots among the day's top 25 terms. That's more searches than Miley Cyrus with her new "Breakout" album, Britney Spears and her custody loss, or Angelina Jolie hoisting her new twins.

The fervor over a Dame turning 70 speaks to the cult power of the spy show, and calls for a TV history lesson: "The Avengers" (no relation to the Marvel comic) breathed campy aesthetics and thumbed its nose at all convention and storytelling while still looking timeless thanks to designer duds, spiffy vintage cars, and gender-role tweaking. The show also made small-screen history by casting a woman as a partner (to dapper spy John Steed, played by Patrick Macnee), rather than a sidekick or damsel in distress.

The postmodern Mrs. Emma Peel was built to appeal to men—"man appeal" or M-Appeal (get it)—which in the '60s meant putting a Shakespearean-trained lass in leather and stretch jersey. The lady also fenced, published scientific papers, ran an empire, dispensed bad guys with karate chops, and was fearless in the face of cackling villainy. The Man Appeal still holds up 40+ years later: Guys not only conducted more than 80% of Rigg's birthday searches, but also made up 8 out of 10 "emma peel" searches (which strode to the top 500 Sunday). 

Rigg left the show in 1968, starring next as the only Bond wife ever in the movies. Still, two seasons had been enough to establish her as an iconic, liberated character who even now still seems before her time. Rigg herself has said for years that image is "not relevant to me," although a recent interview shows she still hasn't lost her cool.

Filed under: TV

Emmy Cuts "The Wire"

By Vera H-C Chan
Thu, July 17, 2008, 12:09 pm PDT

Top Snub? Most Overlooked?

Whatever the category is called, there needs to be something to address grievous wrongs. Quality nominees did make this year's 60th Primetime Emmys, but voters didn't even look down when they walked over the corpse outline of "The Wire,"  possibly one of the finest shows in television history. By escaping Emmy notice for the fifth (and final) year in a row, the HBO drama may be one of the most wronged shows in tube times.

Yes, Buddy TV pointed out the show again got a well-deserved nomination for its writing, making for an interesting category. Still, amongst the annual handwringing over snubs, the New York Daily News called the show "bafflingly invisible" among the Emmy line-up, the San Francisco Chronicle deemed its absence "surrealy absurd," and The Hollywood Reporter called "a moment of silence" for the wholesale carnage, which included overlooking the actors. An infuriated MSNBC contributor compared the choice of a much-nominated "Boston Legal" over "The Wire" to lauding the Miami Dolphins over the New England Patriots. And Gawker put it plainly: The show that dared take on crime, poverty, public policy, government corruption, and media corporations "was robbed."

Not that critics didn't see this coming: Newsweek predicted snubs, among them young James Hector for best supporting actor (drama). But it's not too late. If one takes the cynical view of the Lifetime Achievement Emmy Award as a make-up award for dissing deserving personalities, why not one for a TV show? Or an outright "Do-Over" Award, so a program can have a chance beyond its run?

Glum fans will have to nurse their disappointment with the final DVD set due out August 12, which includes a retrospective of the first four years. Meanwhile, its creator and former Baltimore Sun reporter David Simon may start another run for HBO: He moves from America's grimmest city to a post-Katrina New Orleans. That'll be one pair that will be hard to ignore.

Filed under: TV, Award Shows, Awards, Emmy Awards, The Wire, Emmy Awards 2008

Emmy's a Lady Too

By Vera H-C Chan
Tue, July 15, 2008, 4:58 pm PDT

Does the Emmy statuette carry more weight for an actress?

Television has long been a landing pad for talented women. Cybill Shepherd and Angela Lansbury revived their careers when they went detecting in the '80s and '90s with their respective series, "Moonlighting" and "Murder She Wrote." These days, Kyra Sedgewick ("The Closer") and Holly Hunter ("Saving Grace") talk even tougher on cable, possibly making TNT the rougher, tougher version of the Lifetime Channel.

As another round of actors and actresses put "Emmy nominee" on their resumé, Hollywood Reporter brings an eye-opening perspective from seven past contenders for Best Actress categories on what (fleeting) legitimacy a nomination can bring. The women also discuss the better availability of female roles on TV, which spurs a particularly rousing rant from Minnie Driver ("The Riches"), who hates "the idea of reaching a certain age and being put in this box that forces actresses to become these battle-axes who speak out against youth culture," and an eloquent philosophy waxed by Brooke Shields ("Lipstick Jungle") about fame being a "fascinating, precarious concept" that still "deterioriates your soul."

TV has regularly fed creative concepts to the movies for some time, but the recent box-office triumph of (Emmy award-winning) "Sex and the City" may underscore the argument for a female cinematic presence on mediums small and big. Later this month, "The X-Files 2" brings back the whip-smart, pragmatic FBI detective Dana Scully (played by Gillian Anderson), adding to a sparse field of heroines so far populated by surrogate moms (Tina Fey and Amy Poehler), a female assassin (Angelina Jolie) and a plant-hunting robot (voiced by Elissa Knight).

Besides Emmy contenders, recent interviews with favorite actresses include the Los Angeles Times' chat with "Battlestar Galactica" actress Rekha Sharma, among the rare breed of minority actresses in sci-fi; who might sub for Search favorite Mary Lynn Rajskub as she's too pregnant for another season of "24," and the (limited) return of Jorja Fox in "CSI." Statuette or not, the ladies deserve a little attention for proving that their expiration date is way after 30.

Filed under: TV, Movies, Actors, Women, Emmy Awards, Emmy Awards 2008

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